without sallies of frantick dignity, and more noise than meaning, yet as it makes approaches to the possibilities of real life, and has some sentiments which leave a strong impression, it continued long to attract attention. Amidst the distresses of princes, and the vicissitudes of empire, are inserted several scenes which the writer intended for comick; but which, I suppose, that age did not much commend, and this would not endure. There are, however, passages of excellence universally acknowledged; the dispute and the reconciliation of Dorax and Sebastian has always been admired.
This play was first acted in 1690, after Dryden had for some years discontinued dramatick poetry.
Amphitryon is a comedy derived from Plautus and Moliere. The dedication is dated Oct. 1690. This play seems to have succeeded at its first appearance; and was, I think, long considered as a very diverting entertainment.
Cleomenes (1692) is a tragedy, only remarkable as it occasioned an incident related in the Guardian, and allusively men-
