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Prefatory Noteto the lyrical poems and the Vita Nuova. I question whether he ever read—unless in the most cursory way—other and less fascinating writings of Alighieri, such as the Convito and the De Monarchiâ.
From reading, Rossetti went on to translating. He translated at an early age, chiefly between 1845 and 1849, a great number of poems by the Italians contemporary with Dante, or preceding him; and, among other things, he made a version of the whole Vita Nuova, prose and verse. This may possibly have been the first important thing that he translated from the Italian: if not the first, still less was it the last, and it may well be that his rendering of the book was completed within the year 1846, or early in 1847. He did not, of course, leave his version exactly as it had come at first: on the contrary, he took counsel with friends (Alfred Tennyson among the number), toned down crudities and juvenilities, and worked to make the whole thing impressive and artistic—for in such matters he was much more chargeable with over-fastidiousness than with laxity. Still, the work, as we now have it, is essentially the
