Overhead the sun was radiantly blue—while I was so sorrowful.. . .
'Read me some poetry,' said Zinaïda in an undertone, and she propped herself on her elbow; 'I like your reading poetry. You read it in sing-song, but that's no matter, that comes of being young. Read me "On the Hills of Georgia." Only sit down first.'
I sat down and read 'On the Hills of Georgia.'
'"That the heart cannot choose but love,"' repeated Zinaïda. 'That's where poetry's so fine; it tells us what is not, and what's not only better than what is, but much more like the truth, "cannot choose but love,"—it might want not to, but it can't help it.' She was silent again, then all at once she started and got up. 'Come along. Meidanov's indoors with mamma, he brought me his poem, but I deserted him. His feelings are hurt too now . . . I can't help it! you 'll understand it all some day . . . only don't be angry with me!'
Zinaïda hurriedly pressed my hand and ran on ahead. We went back into the lodge. Meidanov set to reading us his 'Manslayer,' which had just appeared in print, but I did not hear him. He screamed and drawled his four-foot iambic lines, the alternating rhythms jingled like little bells, noisy and meaningless,
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