other compliments, the lady answered in an affected voice with the verse:
Would that I had some song that might detain
The flute that blends its note
With the low rustling of the autumn leaves.
and after these blandishments, still unsuspecting, she took up the thirteen-stringed lute, and tuning it to the Banjiki mode[1] she clattered at the strings with all the frenzy that fashion now demands. It was a fine performance no doubt, but I cannot say that it made a very agreeable impression upon me.
‘A man may amuse himself well enough by trifling from time to time with some lady at the Court; will get what pleasure he can out of it while he is with her and not trouble his head about what goes on when he is not there. This lady too I only saw from time to time, but such was her situation that I had once fondly imagined myself the only occupant of her thoughts. However that night’s work dissolved the last shred of my confidence, and I never saw her again.
‘These two experiences, falling to my lot while I was still so young, early deprived me of any hope from women. And since that time my view of them has but grown the blacker. No doubt to you at your age they seem very entrancing, these “dew-drops on the grass that fall if they are touched,” these “glittering hailstones that melt if gathered in the hand.” But when you are a little older you will think as I do. Take my advice in this at least; beware of caressing manners and soft, entangling ways. For if you are so rash as to let them lead you astray, you
- ↑ See Encyclopédie de la Musique, p. 247. Under the name Nan-lü this mode was frequently used in the Chinese love-dramas of the fourteenth century. It was considered very wild and moving.
