to her own sense of what is good and beautiful, the woman's life is, and in theory must be, an expression of the man's life at the second remove.
But in spite of this pervading sense of what is the good and natural place for the woman, there is also perceptible an incipient development of sentiment to the effect that this whole arrangement of tutelage and vicarious life and imputation of merit and demerit is somehow a mistake. Or, at least, that even if it may be a natural growth and a good arrangement in its time and place, and in spite of its patent æsthetic value, still it does not adequately serve the more everyday ends of life in a modern industrial community. Even that large and substantial body of well-bred, upper and middle-class women to whose dispassionate, matronly sense of the traditional proprieties this relation of status commends itself as fundamentally and eternally right—even these, whose attitude is conservative, commonly find some slight discrepancy in detail between things as they are and as they should be in this respect. But that less manageable body of modern women who, by force of youth, education, or temperament, are in some degree out of touch with the traditions of status received from the barbarian culture, and in whom there is, perhaps, an undue reversion to the impulse of self-expression and workmanship,—these are touched with a sense of grievance too vivid to leave them at rest.
In this "New-Woman" movement,—as these blind and incoherent efforts to rehabilitate the woman's pre-glacial standing have been named,—there are at least two elements discernible, both of which are of an economic
