Page:The Tragic Muse (London & New York, Macmillan & Co., 1890), Volume 3.djvu/42

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THE TRAGIC MUSE.

She was constructed to revolve like the terrestrial globe; some part or other of her was always out of sight or in shadow.

Sherringham talked to conceal his feelings and, like every man doing a thing from that sort of intention, did it perhaps too much. They agreed that, putting strange accidents aside, Miriam would go further than any one had gone, in England at least and within the memory of man; and that it was a pity, as regards marking the comparison, that for so long no one had gone any distance worth speaking of. They further agreed that it would naturally seem absurd to any one who didn't know, their prophesying such big things on such small evidence; and they agreed lastly that the absurdity quite vanished as soon as the prophets knew as they knew. Their knowledge (they quite recognized this) was simply confidence raised to a high point—the communication of the girl's own confidence. The conditions were enormously to make, but it was of the very essence of Miriam's confidence that she would make them. The parts, the plays, the theatres, the "support," the audiences, the critics, the money were all to be found, but she cast a spell which prevented that from seeming a serious hitch. One might not see from one day to the other what she would do or how she would do it, but she would none the less go on. She would have to construct her own road, as it were, but at the worst there would only be delays in making it. These delays would depend on the hardness of the stones she had to break.

As Sherringham had perceived, you never knew where to "have" Gabriel Nash; a truth exemplified in his unexpected delight at the prospect of Miriam's drawing forth the modern-