ness of the age. You might have thought he would loathe that modernness; but he had a brilliant, amused, amusing vision of it, saw it as something huge and ornamentally vulgar. Its vulgarity would rise to the grand style, like that of a London railway station, and Miriam's publicity would be as big as the globe itself. All the machinery was ready, the platform laid; the facilities, the wires and bells and trumpets, the colossal, deafening newspaperism of the period—its most distinctive sign—were waiting for her, their predestined mistress, to press her foot on the spring and set them all in motion. Gabriel brushed in a large bright picture of her progress through the time and round the world, round it and round it again, from continent to continent and clime to clime; with populations and deputations, reporters and photographers, placards and interviews and banquets, steamers, railways, dollars, diamonds, speeches and artistic ruin all jumbled into her train. Regardless of expense the spectacle would be and thrilling, though somewhat monotonous, the drama—a drama more bustling than any she would put on the stage and a spectacle that would beat everything for scenery. In the end her divine voice would crack, screaming to foreign ears and antipodal barbarians, and her clever manner would lose all quality, simplified to a few unmistakable knock-down dodges. Then she would be at the fine climax of life and glory, still young and insatiate, but already coarse, hard and raddled, with nothing left to do and nothing left to do it with, the remaining years all before her and the raison d'etre all behind. It would be curious and magnificent and grotesque.
"Oh, she'll have some good years—they'll be worth having,"
