it. 'Like fame,' I thought, 'Rank and wild where it isn't wanted. Why don't the really good things in life grow like horseradish?' I thought. My mind went off in a peculiar way it does from that to the idea that mustard costs a penny a tin—I bought some the other day for a ham I had. It came into my head that it would be ripping good business to use horseradish to adulterate mustard. I had a sort of idea that I could plunge into business on that, get rich and come back to my own proper monumental art again. And then I said, 'But why adulterate? I don't like the idea of adulteration.'"
"Shabby," said my uncle, nodding his head. "Bound to get found out!"
"And totally unnecessary too! Why not do up a mixture—three-quarters pounded horseradish and a quarter mustard—give it a fancy name—and sell it at twice the mustard price. See? I very nearly started the business straight away, only something happened. My train came along."
"Jolly good ideer," said my uncle. He looked at me. "That really is an ideer, George," he said.
"Take shavin's, again! You know that poem of Longfellow's, sir, that sounds exactly like the first declension. What is it?—'man's a maker men say!'"
My uncle nodded and gurgled some quotation that died away.
"Jolly good poem, George," he said in an aside to me.
"Well, it's about a carpenter and a poetic Victorian child, you know, and some shavin's. The child made no end out of the shavin's. So might you. Powder 'em. They might be anything. Soak 'em in jipper,—Xylo-tobacco! Powder 'em and get a little tar and
