back to the still old house, and sees a grey and lichenous façade with a very finely arched entrance. It was warmed by the afternoon light and touched with the colour of a few neglected roses and a pyracanthus. It seemed to me that the most modern owner conceivable in this serene fine place was some bearded scholarly man in a black cassock, gentle-voiced and white-handed, or some very soft-robed, grey gentlewoman. And there was my uncle holding his goggles in a sealskin glove, wiping the glass with a pocket-handkerchief, and asking my aunt if Lady Grove wasn't a "Bit of all Right."
My aunt made him no answer.
"The man who built this," I speculated, "wore armour and carried a sword."
"There's some of it inside still," said my uncle.
We went inside. An old woman with very white hair was in charge of the place, and cringed rather obviously to the new master. She evidently found him a very strange and frightful apparition indeed, and was dreadfully afraid of him. But if the surviving present bowed down to us, the past did not. We stood up to the dark long portraits of the extinguished race—one was a Holbein—and looked them in their sidelong eyes. They looked back at us. We all, I know, felt the enigmatical quality in them. Even my uncle was momentarily embarrassed I think, by that invincibly self-complacent expression. It was just as though, after all, he had not bought them up and replaced them altogether, as though that, secretly, they knew better and could smile at him. . . .
The spirit of the place was akin to Bladesover but touched with something older and remoter. That armour that stood about had once served in tilt-yards, if indeed it had not served in battle, and this family had