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TONO-BUNGAY

sent its blood and treasure, time after time, upon the most romantic quest in history, to Palestine. Dreams, loyalties, place and honour, how utterly had it all evaporated, leaving at last, the final expression of its spirit, these quaint painted smiles, these smiles of triumphant completion. It had evaporated, indeed, long before the ultimate Durgan had died, and in his old age he had cumbered the place with Early Victorian cushions and carpets and tapestry table-cloths and invalid appliances of a type even more extinct it seemed to us than the crusades. . . . Yes, it was different from Bladesover.

"Bit stuffy, George," said my uncle. "They hadn't much idee of ventilation when this was built."

One of the panelled rooms was half-filled with presses and a four-poster bed. "Might be the ghost room," said my uncle; but it did not seem to me that so retiring a family as the Durgans, so old and completed and exhausted a family as the Durgans, was likely to haunt anybody. What living thing now had any concern with their honour and judgments and good and evil deeds? Ghosts and witchcraft were a later innovation, that fashion came from Scotland with the Stuarts. . . .

Afterwards, prying for epitaphs, we found a marble crusader with a broken nose, under a battered canopy of fretted stone, outside the restricted limits of the present Duffield church, and half-buried in nettles. "Ichabod," said my uncle. "Eh? We shall be like that, Susan, some day. . . . I'm going to clean him up a bit and put a railing to keep off the children."

"Old saved at the eleventh hour," said my aunt, quoting one of the less successful advertisements of Tono-Bungay.