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TONO-BUNGAY

much days as long damp slabs of time that stretched each one to the horizon, and much of that length was night. One paraded the staggering deck in a borrowed sou'-wester hour after hour in the chilly, windy, splashing and spitting darkness, or sat in the cabin, bored and ill, and looked at the faces of those inseparable companions by the help of a lamp that gave smell rather than light. Then one would see going up, up, up, and then sinking down, down, down, Pollack, extinct pipe in mouth, humorously observant, bringing his mind slowly to the seventy-seventh decision that the captain was a Card, while the words flowed from the latter in a nimble incessant flood. "Dis England eet is not a country aristocratic, no! Eet is a glorified bourgeoisie! Eet is plutocratic. In England dere is no aristocracy since de Wars of Roses. In the rest of Europe east of the Latins, yes; in England, no.

"Eet is all middle-class, youra England. Everything you look at, middle-class. Respectable! Everything good—eet is, you say, shocking. Madame Grundy! Eet is all limited and computing and self-seeking. Dat is why your art is so limited, youra fiction, your philosophia, why you are all so inartistic. You want nothing but profit! What will pay! What would you?" . . .

He had all those violent adjuncts to speech we Western Europeans have abandoned, shruggings of the shoulders, waving of the arms, thrusting out of the face, wonderful grimaces and twiddlings of the hands under your nose until you wanted to hit them away. Day after day it went on, and I had to keep my anger to myself, to reserve myself for the time ahead when it would be necessary to see the quap was got aboard and stowed—knee deep in this man's astonishment. I knew