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PLEDGES AND THEIR REDEMPTION.
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with the machete and chamarra of two of her suitors. It was a singular sight to see a long, sharp, glittering blade dangling from the nude shoulder of the young girl, in such close proximity to her heaving bosom.

A sudden silence now fell upon the crowd, similar to what sometimes takes place at a bull-fight when the arena has received its first stains of blood. All at once a loud and imposing male voice near the orchestra exclaimed "Bomba!" The instruments ceased to sound, and the song died away. The voice was that of Calros's rival, who now chanted a couplet expressive of his confidence in his mistress's tenderness, while the friends of the Jarocho repeated the last line in chorus. Calros then answered in a high key by saying that he would not have a divided heart, and that his rival was a traitor.

The Jarocho replied in another recitative, by inquiring if he had spirit sufficient to meet him in fair combat. Calros then, with a smile upon his face, expressed his willingness to meet this traitor, this vagabond, this false friend.

Whether Sacramenta was weary of the dance, or overcome by the general emotion which was manifested when this last couplet was chanted, I know not, but she stepped hastily from the estrade, and her companions followed her. Instructed by past experience not to wait for the commencement of the melee, as their instruments generally suffer in the fray, the musicians hurriedly retired. Some customary pieces of ceremony were still, however, to be gone through; the suitors must redeem the pledges given to the dancer. The customary fee for these is half a real each. The two rivals advanced, one after the other, and filled both hands of Sacramenta with silver coin. While