Page:Vasari - Lives of the Most Excellent Painters, Sculptors, and Architects, volume 3.djvu/213

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andrea del sarto.
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ments. He soon afterwards commenced his labours, rendering himself so acceptable to the king as well as to the whole court, and receiving so many proofs of good-will from all, that his departure from his native country soon appeared to our artist to have conducted him from the extreme of wretchedness to the summit of felicity. One of Andrea’s first works in France was the portrait of the Dauphin, the • son of the king, a child born but a few months previously, and still in his swathing bands;[1] wherefore, having taken this painting to the king, he received in return three hundred ducats of gold.

Continuing his labours, he afterwards painted a figure of Charity for King Francis, this was considered an exceedingly beautiful picture, and was held by that monarch in all the estimation due to so admirable a work.[2] From that time the king commanded that a very considerable income should be annually paid to Andrea, doing his utmost to induce the painter to remain contentedly at his court, and promising that he should never want for anything that he could desire; and this happened because the promptitude of Andrea in his works, and the easy character of the man, who was satisfied with everything around him, were both agreeable to King Francis; he gavewery great satisfaction to the whole court also, painting numerous pictures and executing various works of difierent kinds for the nobles.[3]

And now, had Andrea del Sarto only reflected on all that he had escaped from, and duly weighed the advantageous character of that position to which fate had conducted him, I make no doubt but that, to say nothing of riches, he might have attained to great honours. But one day being employed on the figure of a St. Jerome[4] doing penance, which he was painting for the mother of the king, there

  1. Henry II., who was born on the 28th February, in the year 1518.
  2. This figure of Charity is also in the Louvre, and bears the date 1518; according to Bottari this picture was removed from the panel to canvas by Picault, the wood having been found to be much worm-eaten.
  3. The Louvre has now three, or, according to Leclanche, four pictures by Andrea; two Holy Families namely, the above-named Charity, and an Annunciation. Among its collection of drawings, M. Jeanron enumerates seven by Andrea del Sarto.
  4. The St. Jerome must have been merely sketched; no intelligence can now be procured respecting it.— Bottari, Leclanche, and Jeanron.