and motioning the Raja and his son to follow him, led the way to a little fane of the Destroying Deity erected in a dark clump of wood, outside and close to the burning ground.
They passed through the quadrangular outer court of the temple whose piazza was hung with deep shade.[1] In silence they circumambulated the small central shrine, and whenever Shanta-Shil directed, Raja Vikram entered the Sabha, or vestibule, and struck three times upon the gong, which gave forth a loud and warning sound.
They then passed over the threshold, and looked into the gloomy inner depths. There stood Smashana-Kali,[2] the goddess, in her most horrid form. She was a naked and very black woman, with half-severed head, partly cut and partly painted, resting on her shoulder; and her tongue lolled out from her wide yawning mouth;[3] her eyes were red like those of a drunkard; and her eyebrows were of the same colour: her thick coarse hair hung like a mantle to her heels. She was robed in an elephant's hide, dried
- ↑ The Hindu shrine is mostly a small building, with two inner compartments. the vestibule and the Garbagriha, or adytum, in which stands the image.
- ↑ Meaning Kali of the cemetery (Smashana); another form of Durga.
- ↑ Not being able to find victims, this pleasant deity, to satisfy her thirst for the curious juice, cut her own throat that the blood might spout up into her mouth. She once found herself dancing on her husband, and was so shocked that in surprise she put out her tongue to a great length, and remained motionless. She is often represented in this form.
