and withered, confined at the waist with a belt composed of the hands of the giants whom she had slain in war: two dead bodies formed her earrings, and her necklace was of bleached skulls. Her four arms supported a scimitar, a noose, a trident, and a ponderous mace. She stood with one leg on the breast of her husband, Shiva, and she rested the other on his thigh. Before the idol lay the utensils of worship, namely, dishes for the offerings, lamps, jugs, incense, copper cups, conches and gongs; and all of them smelt of blood.
As Raja Vikram and his son stood gazing upon the hideous spectacle, the devotee stooped down to place his skull-lamp upon the ground, and drew from out his ochre-coloured cloth a sharp sword which he hid behind his back.
'Prosperity to shine and thy son's for ever and ever, O mighty Vikram!' exclaimed Shanta-Shil, after he had muttered a prayer before the image. 'Verily thou hast right royally redeemed thy pledge, and by the virtue of thy presence all my wishes shall presently be accomplished. Behold! the Sun is about to drive his car over the eastern hills, and our task now ends. Do thou reverence before this my deity, worshipping the earth through thy nose, and so prostrating thyself that thy eight limbs may touch the ground.[1] Thus shall thy glory and splendour be
- ↑ This ashtanga, the most ceremonious of the five forms of Hindu salutation, consists of prostrating and of making the eight parts of the
