ulchered I know not where–an ancient forgotten One Who will show me the gateway I would enter, and give me the lost signs and words I shall need. How long It has lain buried here, forgotten save by those who reared the stones on the hill, and by those who later sought out this place and built this house, I cannot conjecture. It was in search of this Thing, beyond question, that Hendrik van der Heyl came to New-Netherland in 1638. Men of this Earth know It not, save in the secret whispers of the fear-shaken few who have found or inherited the key. No human eye has even yet glimpsed It–unless, perhaps, the vanished wizards of this house delved farther than has been guessed.
With knowledge of the symbols came likewise a mastery of the Seven Lost Signs of Terror, and a tacit recognition of the hideous and unutterable Words of Fear. All that remains for me to accomplish is the Chant which will transfigure that Forgotten One Who is Guardian of the Ancient Gateway. I marvel much at the Chant. It is composed of strange and repellent gutturals and disturbing sibilants resembling no language I have ever encountered, even in the blackest chapters of the Livre d'Eibon. When I visited the hill at sunset I tried to read it aloud, but evoked in response only a vague, sinister rumbling on the far horizon, and a thin cloud of elemental dust that writhed and whirled like some evil living thing. Perhaps I do not pronounce the alien syllables correctly, or perhaps it is only on the Sabbat–that hellish Sabbat for which the Powers in this house are without question holding me–that the great Transfiguration can occur.
Had an odd spell of fright this morning. I thought for a moment that I recalled where I had seen that baffling name of Sleght before, and the prospect of realization filled me with unutterable horror.
Today dark ominous clouds have hovered intermittently over the circle on the hill. I have noticed such clouds several times before, but their contours and arrangements now hold a fresh significance. They are snake-like and fantastic, and curiosly like the evil shadow-shapes I have seen in the house. They float in a circle around the primal cromlech, revolving repeatedly as though endowed with a sinister life and purpose. I could swear that they give forth an angry murmuring. After some fifteen minutes they sail slowly away, ever to the eastward, like the units of a straggling battalion. Are they indeed those dread Ones whom Solomon knew of old–those giant black beings whose number is legion and whose tread doth shake the earth?
I have been rehearsing the Chant that will transfigure the Nameless Thing; yet strange fears assail me even when I utter the syllables under my breath. Piecing all evidence together, I have now discovered that the only way to It is through the locked cellar vault. That vault was built with a hellish purpose, and must cover the hidden burrow leading to the Immemorial Lair. What guardians live endlessly within, flourishing from century to century on an unknown nourishment, only the mad may conjecture. The warlocks of this house, who called them out of inner Earth, have known them only too well, as the shocking portraits and memories of the place reveal.
What troubles me most is the limited nature of the Chant. It evokes the Nameless One, yet provides no method for the control of That Which is evoked. There are, of course, the general signs and gestures, but whether they will prove effective toward such an Ooe remains to be seen. Still, the rewards are great enough to justify any danger, and I could not
