mounted upon a dancing pony, rode with him to view her possessions. He showed her everything—the flocks of ewes, muttons and grazing lambs, the dipping vats, the shearing pens, the uncouth merino rams in their little pasture, the water-tanks prepared against the summer drought—giving account of his stewardship with a boyish enthusiasm that never flagged.
Where was the old Teddy that she knew so well? This side of him was the same, and it was a side that pleased her; but this was all she ever saw of him now. Where was his sentimentality—those old, varying moods of impetuous love-making, of fanciful, quixotic devotion, of heart-breaking gloom, of alternating, absurd tenderness and haughty dignity? His nature had been a sensitive one, his temperament bordering closely on the artistic. She knew that, besides being a follower of fashion and its fads and sports, he had cultivated tastes of a finer nature. He had written things, he had tampered with colours, he was something of a student in certain branches of art, and once she had been admitted to all his aspirations and thoughts. But now—and she could not avoid the conclusion—Teddy had barricaded against her every side of himself except one—the side that showed the manager of the Rancho de las Sombras and a jolly chum who had forgiven and forgotten. Queerly enough the words of Mr. Bannister’s description of her property came into her mind—“all inclosed within a strong barbed-wire fence.”
“Teddy’s fenced, too,” said Octavia to herself.
