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Madame Bo-Peep, of the Ranches
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It was not difficult for her to reason out the cause of his fortifications. It had originated one night at the Hammersmiths’ ball. It occurred at a time soon after she had decided to accept Colonel Beaupree and his million, which was no more than her looks and the entrée she held to the inner circles were worth. Teddy had proposed with all his impetuosity and fire, and she looked him straight in the eyes, and said, coldly and finally: “Never let me hear any such silly nonsense from you again.” “You won’t,” said Teddy, with a new expression around his mouth, and—now Teddy was inclosed within a strong barbed-wire fence.

It was on this first ride of inspection that Teddy was seized by the inspiration that suggested the name of Mother Goose’s heroine, and he at once bestowed it upon Octavia. The idea, supported by both a similarity of names and identity of occupations, seemed to strike him as a peculiarly happy one, and he never tired of using it. The Mexicans on the ranch also took up the name, adding another syllable to accommodate their lingual incapacity for the final “p,” gravely referring to her as ‘La Madama Bo-Peepy.” Eventually it spread, and “Madame Bo-Peep’s ranch” was as often mentioned as the “Rancho de las Sombras.”

Came the long, hot season from May to September, when work is scarce on the ranches. Octavia passed the days in a kind of lotus-eater’s dream. Books, hammocks, correspondence with a few intimate friends, a renewed interest in her old water-colour box and easel—