THE SONG OF THE LARK
art is not the sort of thing you are likely to find when you drop in for a performance at the opera. What one strives for is so far away, so deep, so beautiful"—she lifted her shoulders with a long breath, folded her hands in her lap and sat looking at him with a resignation that made her face noble,—"that there 's nothing one can say about it, Dr. Archie."
Without knowing very well what it was all about, Archie was passionately stirred for her. "I 've always believed in you, Thea; always believed," he muttered.
She smiled and closed her eyes. "They save me: the old things, things like the Kohlers' garden. They are in everything I do."
"In what you sing, you mean?"
"Yes. Not in any direct way,"—she spoke hurriedly,—"the light, the color, the feeling. Most of all the feeling. It comes in when I 'm working on a part, like the smell of a garden coming in at the window. I try all the new things, and then go back to the old. Perhaps my feelings were stronger then. A child's attitude toward everything is an artist's attitude. I am more or less of an artist now, but then I was nothing else. When I went with you to Chicago that first time, I carried with me the essentials, the foundation of all I do now. The point to which I could go was scratched in me then. I have n't reached it yet, by a long way."
Archie had a swift flash of memory. Pictures passed before him. "You mean," he asked wonderingly, "that you knew then that you were so gifted?"
Thea looked up at him and smiled. "Oh, I did n't know anything! Not enough to ask you for my trunk when I needed. But you see, when I set out from Moonstone with you, I had had a rich, romantic past. I had lived a long, eventful life, and an artist's life, every hour of it. Wagner says, in his most beautiful opera, that art is only a way of remembering youth. And the older we grow the
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