KRONBORG
more precious it seems to us, and the more richly we can present that memory. When we 've got it all out,—the last, the finest thrill of it, the brightest hope of it,"—she lifted her hand above her head and dropped it,—"then we stop. We do nothing but repeat after that. The stream has reached the level of its source. That 's our measure."
There was a long, warm silence. Thea was looking hard at the floor, as if she were seeing down through years and years, and her old friend stood watching her bent head. His look was one with which he used to watch her long ago, and which, even in thinking about her, had become a habit of his face. It was full of solicitude, and a kind of secret gratitude, as if to thank her for some inexpressible pleasure of the heart. Thea turned presently toward the piano and began softly to waken an old air:—
"Ca' the yowes to the knowes,
Ca' them where the heather grows,
Ca' them where the burnie rowes,
My bonnie dear-ie."
Archie sat down and shaded his eyes with his hand. She turned her head and spoke to him over her shoulder. "Come on, you know the words better than I. That 's right."
"We 'll gae down by Clouden's side,
Through the hazels spreading wide,
O'er the waves that sweetly glide,
To the moon sae clearly.
Ghaist nor bogle shalt thou fear,
Thou'rt to love and Heav'n sae dear,
Nocht of ill may come thee near,
My bonnie dear-ie!"
"We can get on without Landry. Let 's try it again, I have all the words now. Then we 'll have Sweet Afton. Come: 'Ca' the yowes to the knowes'—"
