banks of the ocean, I again display my giant-forms to the public,' etc.
Some of the 'giant-forms,' as he calls them, are mighty and grand, and if I were to compare them to the style of any preceding artist, Michel Angelo, Sir Joshua's favourite, would be the one; and were I to select a specimen as a corroboration of this opinion, I should instance the figure personifying the 'Ancient of Days,' the frontispiece to his 'Europe, a Prophecy.' In my mind, his knowledge of drawing, as well as design, displayed in this figure, must at once convince the informed reader of his extraordinary abilities.
I am now under the painful necessity of relating an event promulgated in two different ways by two different parties; and as I entertain a high respect for the talents of both persons concerned, I shall, in order to steer clear of giving umbrage to the supporters of either, leave the reader to draw his own conclusions, unbiassed by any insinuation whatever of mine.
An Engraver of the name of Cromek, a man who endeavoured to live by speculating upon the talents of others, purchased a series of drawings of Blake, illustrative of Blair's 'Grave,' which he had begun with a view of engraving and publishing. These were sold to Mr. Cromek for the insignificant sum of one guinea each, with the promise, and indeed under the express agreement, that Blake should be employed to engrave them; a task to
