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which he looked forward with anxious delight. Instead of this negotiation being carried into effect, the drawings, to his great mortification, were put, into the hands of Schiavonetti. During the time this artist was thus employed, Cromek had asked Blake what work he had in mind to execute next. The unsuspecting artist not only told him, but without the least reserve showed him the designs sketched out for a fresco picture; the subject Chaucer's 'Pilgrimage to Canterbury'; with which Mr. Cromek appeared highly delighted. Shortly after this, Blake discovered that Stothard, a brother-artist to whom he had been extremely kind in early days, had been employed to paint a picture, not only of the same subject, but in some instances similar to the fresco sketch which he had shown to Mr. Cromek. The picture painted by Stothard became the property of Mr. Cromek, who published proposals for an engraving from it, naming Bromley as the engraver to be employed. However, in a short time, that artist's name was withdrawn, and Schiavonetti's substituted, who lived only to complete the etching; the plate being finished afterwards by at least three different hands. Blake, highly indignant at this treatment, immediately set to work, and proposed an engraving from his fresco picture, which he publicly exhibited in his brother James's shop-window, at the corner of Broad Street, accompanied with an address to the public, stating what he considered to be improper conduct.