passages cited, I am led to conjecture that the subject of Mucedorus is the popular story of Valentine and Orson; a beautiful subject which Lope de Vega has also taken for a play. Arden of Feversham is said to be a tragedy on the story of a man, from whom the poet was descended by the mother's side. If the quality of the piece is not too directly at variance with this claim, the cir- cumstance would afford an additional probability in its favour. For such motives were not foreign to Shakespear: he treated Henry the Seventh, who bestowed lands on his forefathers for services performed by them, with a visible partiality.
"Whoever takes from Shakespear a play early ascribed to him, and confessedly belonging to his time, is unquestionably bound to answer, with some degree of probability, this question: who has then written it? Shakespear's competitors in the dramatic walk are pretty well known, and if those of them who have even acquired a considerable name, a Lilly, a Marlow, a Heywood, are still so very far below him, we can hardly imagine that the author of a work, which rises so high beyond theirs, would have remained unknown." — Lectures on Dramatic Literature, vol. ii. page 252.
We agree to the truth of this last observation, but not to the justice of its application to some of the plays here mentioned. It is true that Shake-
