Page:William Hazlitt - Characters of Shakespear's Plays (1817).djvu/373

spear's best works are very superior to those of Marlow, or Heywood, but it is not true that the best of the doubtful plays above enumerated are superior or even equal to the best of theirs. The Yorkshire Tragedy, which Schlegel speaks of as an undoubted production of our author's, is much more in the manner of Heywood than of Shakespear. The effect is indeed overpowering, but the mode of producing it is by no means poetical. The praise which Schlegel gives to Thomas, Lord Cromwell, and to Sir John Oldcastle, is altogether exaggerated. They are very indifferent compositions, which have not the slightest pretensions to rank with Henry V. or Henry VIII. We suspect that the German critic was not very well acquainted with the dramatic contemporaries of Shakespear, or aware of their general merits; and that he accordingly mistakes a resemblance in style and manner for an equal degree of excellence. Shakespear differed from the other writers of his age not in the mode of treating his subjects, but in the grace and power which he displayed in them. The reason assigned by a literary friend of Schlegel's for supposing The Puritan; or, the Widow of Watling Street, to be Shakespear's, viz. that it is in the style of Ben Jonson, that is to say, in a style just the reverse of his own, is not very satisfactory to a plain English understanding. Locrine, and The London Prodigal, if they were Shake-