tham went up the stair first with margret tailzeor Besse Paton and elspit blak'. On the other hand, Jonet Blak and Kathren Renny, who were also present and described the same scene, said nothing about the cat-form, though they particularize the clothes of the other witches. Jonet Blak said, 'the diwell, margret tailzeor with ane long rok, and kathren renny with the short rok and the bony las with the blak pok all went up the stair togidder'; while Kathren Renny said that 'ther was ane bony las with ane blak pok, who went befor ower Jean Lindsayis zaird dyk and Margret tailzeor with hir'.[1] The evidence of Marie Lamont (1662) suggests the same idea of a ritual, though not an actual, change; 'shee confessed, that shee, Kettie Scot, and Margrat Holm, cam to Allan Orr's house in the likenesse of kats, and followed his wif into the chalmer'; and on another occasion 'the devil turned them in likeness of kats, by shaking his hands above their heads'.[2] In Northumberland (1673) the same fact appears to underlie the evidence. Ann Armstrong declared that at a witch meeting Ann Baites 'hath been severall times in the shape of a catt and a hare, and in the shape of a greyhound and a bee, letting the divell see how many shapes she could turn herself into.—They [the witches] stood all upon a bare spott of ground, and bid this informer sing whilst they danced in severall shapes, first of a haire, then in their owne, and then in a catt, sometimes in a mouse, and in severall other shapes.—She see all the said persons beforemencioned danceing, some in the likenesse of haires, some in the likenesse of catts, others in the likenesse of bees, and some in their owne likenesse.'[3]
The method of making the ritual change by means of magical words is recorded in the Auldearne trials, where Isobel Gowdie, whose evidence was purely voluntary, gives the actual words both for the change into an animal and for the reversion into human form. To become a hare:
'I sall goe intill ane haire,
With sorrow, and sych, and meikle caire,
And I sall goe in the Divellis nam,
Ay whill I com hom againe.'
