Page:Women in the Fine Arts From the Seventh Century B.C. to the Twentiet.djvu/115

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WOMEN IN THE FINE ARTS


thing that wealth could bestow—such rewards as will endure through centuries and surround the name of Rosa Bonheur with glory, rewards which she untiringly labored to attain.

Bonsall, Elizabeth F. First Toppan prize, and Mary Smith prize twice, at Pennsylvania Academy of Fine Arts. Member of Plastic Club, Philadelphia. Born at Philadelphia. Studied at the above-named Academy and in Paris; also at the Drexel Institute, Philadelphia, under Eakins, Courtois, Collin, and Howard Pyle.

Miss Bonsall is well known for her pictures of cats. She illustrated the "Fireside Sphinx," by Agnes Repplier. Her picture of "Hot Milk" is in the Pennsylvania Academy; her "Suspense," in a private gallery in New York.

An interesting chapter in Miss Winslow's book, "Concerning Cats," is called "Concerning Cat Artists," in which she writes: "Elizabeth Bonsall is a young American artist who has exhibited some good cat pictures, and whose work promises to make her famous some day if she does not ’weary in well-doing.' "

Miss Bonsall has prepared a "Cat Calendar" and a "Child's Book about Cats," which were promised to appear in the autumn of 1903.

Bonsall, Mary M. First Toppan prize at Pennsylvania Academy of Fine Arts. Member of the Plastic Club, Philadelphia. Studied at above academy under Vonnoh, De Camp, William Chase, and Cecilia Beaux. This artist paints portraits, which are in private hands.

Bonte, Paula. Born in Magdeburg, 1840, and from 1862 to 1864 was a pupil of Pape in Berlin. She travelled