Page:Women in the Fine Arts From the Seventh Century B.C. to the Twentiet.djvu/116

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WOMEN IN THE FINE ARTS
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and studied in Northern Italy and Switzerland, and from these regions, as well as from Northern Germany, took her subjects. She has exhibited pictures at various exhibitions, and among her best works should be mentioned: "The Beach at Clovelly in Devonshire," "From the Bernese Oberland," "The Riemenstalden Valley," etc.

Boott, Elizabeth. Born in Cambridge. Miss Boott was one of those pupils of William M. Hunt to whom he imparted a wonderful artistic enthusiasm, energy, and devotion. After studying in Boston she studied in Paris under Duveneck—whom she afterward married—and under Couture. Her subjects were genre, still-life, and flowers, and were well considered. Among her genre pictures are "An Old Man Reading," an "Old Roman Peasant," and a "Girl with a Cat." When in Italy she painted a number of portraits, which were successful. Miss Brewster, who lived in Rome, was an excellent critic, and she wrote: "I must say a few words about a studio I have lately visited—Miss Boott's. I saw there three very fine portraits, remarkable for strength and character, as well as rich coloring: one of Mr. Boott, one of Bishop Say, and the third of T. Adolphus TroUope, the well-known writer and brother of the novelist. Anthony TroUope. All are good likenesses and are painted with vigor and skill, but the one of Mr. TroUope is especially clever. Trollope's head and face, though a good study, are not easy to paint, but Miss Boott has succeeded to perfection. His head and beard are very fine. The face in nature, but for the melancholy, kindly look about the eyes and mouth, would be stem; Miss Boott has caught