Page:Women in the Fine Arts From the Seventh Century B.C. to the Twentiet.djvu/249

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WOMEN IN THE FINE ARTS


pletely the development of the new Pre-Raphaelitism. They are, indeed, standing examples of the value of this movement, which seems destined to make upon history a mark almost as definite as that left by the original Brotherhood in the middle of the nineteenth century. By their help, and that of the group to which they belong, a new artistic fashion is being established, a fashion of a novel sort, for its hold upon the public is a result not of some irrational popular craze, but of the fascinating arguments which are put into visible shape by the painters themselves."

Hyatt, Harriet Randolph—Mrs. Alfred L. Mayer. Silver medal at Exposition in Atlanta, Georgia, 1895. Member of National Art Club, New York. Born at Salem, Massachusetts. Studied at Cowles Art School and with Ross Turner; later under H. H. Kitson and Ernest L. Major.

Among this artist's pictures are "Shouting above the Tide," "Primitive Fishing," "The Choir Invisible," etc. The plaster group called the "Boy with Great Dane " was the work of this artist and her sister, Anna Vaughan Hyatt, and is at the Bureau of the Society for the Prevention of Cruelty to Animals, in New York.

Hyatt, Anna Vaughan. Member of the Copley Society, Boston. Born in Cambridge, Massachusetts. Studied nature at Bostock's Animal Arena, Norumbega Park, and at Sportsman's Exhibition. Criticism from H. H. Kitson.

The principal works of this artist are the " Boy with Great Dane," already mentioned, made in conjunction