Page:Works of Thomas Carlyle - Volume 22 (US).djvu/71

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E. T. W. HOFFMANN
THE GOLDEN POT
57

preparations, in which you yourself bear a part, she takes a polished metallic mirror, and there rises in it the strangest mixture of figures and forms, all intermingled; these she interprets, and so answers your question. I was with her last night, and got those tidings of my Victor, in which I have not doubted for a moment."

Angelica's narrative threw a spark into Veronica's soul, which instantly kindled with the thought of consulting this same old prophetess about Anselmus and her hopes. She learned that the crone was called Frau Rauerin, and lived in a remote street near the Seethor; that she was not to be seen except on Tuesdays, Thursdays, and Fridays, from seven o'clock in the evening, but then, indeed, through the whole night till sunrise; and that she liked best if her customers came alone. It was Thursday even now, and Veronica determined, under pretext of accompanying the Osters home, to visit this old woman, and lay the case before her.

Accordingly, no sooner had her friends, who lived in the Neustadt, parted from her at the Elbe-bridge, than she hastened with winged steps towards the Seethor; and, ere long, she had reached the remote narrow street described to her, and at the end of it perceived the little red house in which Frau Rauerin was said to live. She could not rid herself of a certain dread, nay, of a certain horror, as she approached the door. At last she summoned resolution, in spite of inward terror, and made bold to pull the bell: the door opened, and she groped through the dark passage for the stair which led to the upper story, as Angelica had directed. "Does Frau Rauerin live here?" cried she, into the empty lobby, as no one appeared; and instead of answer, there rose a long clear "Mew!" and a large black Cat, with its back curved up, and whisking its tail to and fro in wavy coils, stept on before her, with much gravity, to the door of the apartment, which, on a second mew, was opened.

"Ah, see! Art thou here already, daughter? Come in, love; come in! " exclaimed the advancing figure, the aspect