ON A PICTURE OF A BLACK CENTAUR BY EDMOND DULAC
Your hooves have stamped at the black margin of the wood,
Even where horrible green parrots call and swing.
My works are all stamped down into the sultry mud.
I knew that horse play, knew it for a murderous thing.
What wholesome sun has ripened is wholesome food to eat
And that alone; yet I, being driven half insane
Because of some green wing, gathered old mummy wheat
In the mad abstract dark and ground it grain by grain
And after baked it slowly in an oven; but now
I bring full flavoured wine out of a barrel found
Where seven Ephesian topers slept and never knew
When Alexander's empire past, they slept so sound.
Stretch out your limbs and sleep a long Saturnian sleep;
I have loved you better than my soul for all my words,
And there is none so fit to keep a watch and keep
Unwearied eyes upon those horrible green birds.
Even where horrible green parrots call and swing.
My works are all stamped down into the sultry mud.
I knew that horse play, knew it for a murderous thing.
What wholesome sun has ripened is wholesome food to eat
And that alone; yet I, being driven half insane
Because of some green wing, gathered old mummy wheat
In the mad abstract dark and ground it grain by grain
And after baked it slowly in an oven; but now
I bring full flavoured wine out of a barrel found
Where seven Ephesian topers slept and never knew
When Alexander's empire past, they slept so sound.
Stretch out your limbs and sleep a long Saturnian sleep;
I have loved you better than my soul for all my words,
And there is none so fit to keep a watch and keep
Unwearied eyes upon those horrible green birds.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1939, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 84 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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