In the Cage (London: Duckworth, 1898)/end matter
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THE UNKNOWN SEA. A Romance.
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Of the French edition Literature (Feb. 12th, 1898) spoke thus: 'No effort so seriously methodical to fix the nature and determine the difficulties of historical studies has ever been made in France. Nor is there anything of the sort in English or German at once so precise, so admirably concise, and so logically complete. . . . MM. Langlois and Seignobos, with that clearness which seems inalienable from French thought, but with none of that superficiality, that wilful defect of vision, which usually in French books is the condition of French clearness—does not Renan himself, in the preface to L'Avenir de la Science, note this ordinary disability and this incomparable privilege of the French tongue?—not only have been the first to systematise concisely and clearly the scattered results of reflections upon, and experience of, historical studies, but have also themselves formulated the principles of historical research with a critical precision and competence which make these remarkably compact and suggestive pages as useful an essay in definition of a right historical method, as Renan's famous early book just cited was, and still is, for the cultivation of what he called "historic psychology." . . . This book of M. Seignobos and M. Langlois is, as it were, a solid monument of masonry raised on the high plateau to which French scholars have been ascending now for thirty years, and elevated there as a memorial of the victory of the critical method. . . . The rigorous scientific treatment of historical studies has not been more general and systematic, however, in England than in France, and an "Introduction to Historical Studies" that is adequate is bound to be as warmly welcomed by students in Great Britain or the United States as by students in France.'
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This Edition reproduces the text, spelling, punctuation, etc., of 1798, and gives in an Appendix Wordsworth's 'Peter Bell' (original text, now reprinted for the first time) and Coleridge's 'Lewti,' 'The Three Graves,' and 'The Wanderings of Cain.' It also contains reproductions in photogravure of the portraits of Wordsworth (by Hancock, 1798) and of Coleridge (by Peter Vandyke, 1795), now in the National Portrait Gallery.
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English Public Schools.
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A HISTORY OF WINCHESTER COLLEGE. By Arthur F. Leach, M.A., F.S.A., formerly Fellow of All Souls', Oxford; Assistant Charity Commissioner.
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THE EDITOR'S PREFACE
The original numbers of The Tatler were re-issued in two forms in 1710-11; one edition, in octavo, being published by subscription, while the other, in duodecimo, was for the general public. The present edition has been printed from a copy of the latter issue, which, as recorded on the title-page, was 'revised and corrected by the author'; but I have had by my side, for constant reference, a complete set of the folio sheets, containing the 'Lucubrations of Isaac Bickerstaff' in the form in which they were first presented to the world. Scrupulous accuracy in the text has been aimed at, but the eccentricities of spelling which were the printer's, not the author's have not been preserved, and the punctuation has occasionally been corrected.
The first and the most valuable of the annotated editions of The Tatler was published by John Nichols and others in 1786, with notes by Bishop Percy, Dr. John Calder, and Dr. Pearce; and though these notes are often irrelevant and out of date, they contain an immense amount of information, and have been freely made use of by subsequent editors. I have endeavoured to preserve what is of value in the older editions, and to supplement it, as concisely as possible, by such further information as appeared desirable. The eighteenth-century diaries and letters published of late years have in many cases enabled me to throw light on passages which have hitherto been obscure, and sometimes useful illustrations have been found in the contemporary newspapers and periodicals.
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During the whole of the central portion of this century, Dr. Karl Witte was actively engaged in Dante Aligheri studies, and his translations, editions, and essays constitute a more important contribution to the revived and deepened study of Dante than any other single scholar can boast to have made. He is the acknowledged master of Scartazzini, Giuliani, and others; and in especial, his conception of Dante's Trilogy (that is to say, his idea as to the mutual relations of the Vita Nuova, the Convito, and the Comedy) underlies all subsequent work on the inner meaning and articulation of Dante's writings. Dr. Witte collected the essays in which this and many subsidiary points are elaborated in two volumes. They are published at the high price of £1, 8s., which makes them out of the reach of many even of those Dante students to whom the languages in which they are written (German for the most part, but occasionally Italian) offer no difficulties. Some of them are of little interest to the general circle of Dante students, dealing as they do with German translations of the Comedy or German works on Dante; but the remaining essays constitute an invaluable body of investigations, of great variety of interest, ranging from a general survey of Dante's mental development or a presentation of his conception of the Universe, to the discussion of biographical details or the identification of the authors and relative antiquities of ancient commentaries. The proposed translation will include all of Dr. Witte's essays that have any general interest.
In an introduction, and in special notes in the several essays, the Editor will give the student the means of checking Dr. Witte's results in doubtful or speculative matters by reference to the original sources or to essays written from another point of view, but he will carefully abstain from fretting the reader by a running commentary of criticism interrupting the essays themselves.
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The Text is that of the earliest printed version, as issued in the rare periodical, The Germ, afterwards Art and Poetry, and consequently presents the poem in a form hitherto practically inaccessible.
The Frontispiece, by permission of Mr. Frederick Hollyer, is a reproduction of Dante Gabriel Rossetti's Crayon Study of the head of The Blessed Damozel, photogravured and printed by the Swan Electric Engraving Company.
Mr. William Michael Rossetti contributes an Introduction giving full details concerning the writing of the poem, and the changes it has undergone.
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CRICKET. By the Hon. R. H. Lyttelton.
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'The essays deserve to be preserved as the outcome of a clever and charitable thinker, and they are here presented in a most artistic form.'—Manchester Courier.
'The criticism of Lord Rosebery, while sympathetic and laudatory, is exceedingly acute. . . . These quotations will serve to show how intelligently and effectively an American onlooker can criticise our literary politicians.'—Glasgow Herald.
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MODERN PLAYS
Edited by R. Brimley Johnson and N. Erichsen.
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Love's Comedy, which marks a transition from the early romantic to the later social plays, is the only important work of Ibsen's not yet translated into English. The name of Strindberg, whose position in Sweden may be compared to that of Ibsen in Norway, will be almost new to the English public. Villiers' La Révolte is a striking forecast of The Doll's House. Verhaeren is already known here as one of the foremost of Belgian writers, who, like Maeterlinck, uses the French tongue; and Brieux is among the most attractive of the younger native French dramatists. Ostrovsky's The Storm, painting 'The Dark World,' is generally recognised as the characteristic Russian drama. The Convert, by Stepniak, will be specially interesting as its author's only dramatic attempt.
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EARLY VOLUMES
| 'Love's Comedy' (Kjœrlighedens Komedie). |
| 'Intérieur.'—William Archer. | |
| 'La Mort de Tintagiles.' | —Alfred Sutro. |
| 'Alladine et Palomides.' | |
| 'La Révolte.' | —Theresa Barclay |
| 'L'Evasion.' |
| 'The Convert.'—Constance Garnett. |
| 'Les Aubes.'—Arthur Symons. |
| 'The Father' (Fadren).—N. Erichsen. |
| 'The Storm.'—Constance Garnett. |
| 'Les Bienfaiteurs.'—Lucas Malet. |
| 'On a Single Card.'—E. L. Voynich. |
Arrangements are also in progress with representative dramatists of Germany, Spain, Italy, and other countries. Further translations have been promised by Dr. Garnett, Messrs. Walter Leaf, Justin Huntly MacCarthy, and G. A. Greene.
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Dealing with a venerable Suffolk version of Grimm's well-known 'Rumpelstiltskin,' Mr. Clodd endeavours to show that the main incident in the story contains a world-wide and much-varied superstition, which, confusing persons and things, has given rise to a set of curious beliefs and customs.
CAPTAIN FRACASSE. By Théophile Gautier. Translated by E. M. Beam. With ten Illustrations by V. A. Searles. Crown 8vo. 532 pp. 5s.
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JOCELYN. A Monte Carlo Story.
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THE FIRE OF LIFE. A Novel.
By C. K. Burrow.
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'This is one of those delightful domestic stories that are always welcome. The book is full of vigorous character. The whole book is full of "fire," full of "life," and full of interest.—Manchester Courier.
'Altogether, and in a word, a thoroughly readable and interesting novel.'—Aberdeen Free Press.
'Mr. Burrow's men and women are distinct and lifelike; if he has massed all the interesting people into one man's life, none of his readers will blame him.'—Manchester Guardian.
'The book is full of vigour and careful writing. The principal characters are carefully drawn, and the love-scenes are fresh and idyllic. The whole book is more than pleasant and readable, and all the more so from its absence of sensationalism and adherence to simplicity.'—Leeds Mercury.
'Readable and enjoyable to a degree seldom reached by tales of the kind.'—Scotsman.
'A pretty love-tale, simply told.'—Birmingham Gazette.
'Had we passed it by unread, ours would have been the loss. A charming story based on somewhat conventional lines, but told with such verve and freshness as render it really welcome. Mr. Burrow has admirably succeeded in writing a really interesting story, and, which is more uncommon, he has well individualised the different persons of his drama. "The Fire of Life" should figure in the list of novels to be read of all those who like a good story, and like that good story well told.'—Literary World.
'The story is a simple one, but it is none the less interesting. It is one of those novels which one does not care to leave off once it has been started, and its brevity and fascination make it quite possible to read it at a sitting without much inconvenience. The author's style is clear and crisp, with a purity of diction which it would be difficult to surpass.'—Notts Express.
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NEW NOVELS
THE WORLD AND ONORA. By Lilian Street, Author of 'The Little Plain Woman,' 'Nell and the Actor.'
FROM SEVEN DIALS. By Edith Ostlere.
THE RED CAT. By Philip Hennessy.
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