mortal. So Baroco might be considered as a very timid hypothesis. Enoch and Elijah are not mortal. Now, we might boldly suppose them to be gods or something of that sort, but instead of that we limit ourselves to the inference that they are of some nature different from that of man.
But, after all, there is an immense difference between the relation of Baroco and Bocardo to Barbara and that of Induction and Hypothesis to Deduction. Baroco and Bocardo are based upon the fact that if the truth of a conclusion necessarily follows from the truth of a premise, then the falsity of the premise follows from the falsity of the conclusion. This is always true. It is different when the inference is only probable. It by no means follows that, because the truth of a certain premise would render the truth of a conclusion probable, therefore the falsity of the conclusion renders the falsity of the premise probable. At least, this is only true, as we have seen in a former paper, when the word probable is used in one sense in the antecedent and in another in the consequent.
III
A certain anonymous writing is upon a torn piece of paper. It is suspected that the author is a certain person. His desk, to which only he has had access, is searched, and in it is found a piece of paper, the torn edge of which exactly fits, in all its irregularities, that of the paper in question. It is a fair hypothetic inference that the suspected man was actually the author. The ground of this inference evidently is that two torn pieces of paper are extremely
