tiousness; and perhaps the more so, that we are apt to persuade ourselves that the less caution is necessary. The difficulty indeed is, where so much freedom is allowed, to define what is to be accounted licentiousness in poetical translation. A moderate liberty of amplifying and retrenching the ideas of the original, has been granted to the translator of prose; but is it allowable, even to the translator of a lyric poem, to add new images and new thoughts to those of the original, or to enforce the sentiments by illustrations which are not in the original? As the limits between free translation and paraphrase are more easily perceived than they can be well defined, instead of giving a general answer to this question, I think it safer to give my opinion upon particular examples.
Dr
