Vol. III, No. 29 | The New Europe, 3 May 1917 | ||||||||||||||||||||||||||||
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Collaborators
Alexander Amfiteatrov.
Émile Boutroux, de l’Académie Française.
Oscar Browning, King’s College, Cambridge.
Ronald M. Burrows, D.Litt., Principal of King’s College, London.
Émile Cammaerts.
André Chéradame.
G. G. Coulton.
Professor Jovan Cvijić, Belgrade University.
Ernest Denis, professeur à la Sorbonne, Paris.
Jules Destrée, député au Parlement Belge.
Louis Eisenmann, professeur à la Sorbonne, Paris.
Sir Arthur Evans, D.Litt., P.S.A.
Sir J. G. Frazer, Trinity College, Cambridge.
J. L. Garvin.
Auguste Gauvain
Octavian Goga, of the Roumanian Academy.
Frederic Harrison.
Professor F. J. C. Hearnshaw, King’s College, London.
H. M. Hyndman.
Take Ionescu, Roumanian Minister without Portfolio.
Professor Nicholas Iorga, Bucarest University.
Paul Labbé.
Marchese de Viti de Marco, Deputato di Gallipoli, Rome.
Thomas G. Masaryk, late Professor at Prague University.
Henri Moysset.
Professor Ramsay Muir, University of Manchester.
Professor W. Alison Phillips, Trinity College, Dublin.
René Pinon
Sir Frederick Pollock, Bart, P.C.
G. W. Prothero, Litt.D.
Pierre de Quirielle.
J. Holland Rose, Litt.D., Christ’s College, Cambridge.
Paul Sabatier.
Michael E. Sadler, C.B., Vice-Chancellor of Leeds University.
Charles Seignobos, professeur à la Sorbonne.
R. W. Seton-Watson, D.Litt., King’s College, London.
H. Wickham Steed.
Professor Peter Struve, Petrograd.
André Tardieu, Député.
Professor Sir Paul Vinogradov, Corpus Christi College, Oxford.
A. F. Whyte, M.P.
Professor H. Spenser Wilkinson, Oxford.
Harold W. Williams, Ph.D.
C. T. Hagberg Wright, LL.D.
Tokiwo Yokoi, late President of the Doshisha College, Japan.
Sir Francis Younghusband, K.C.S.I., K.C.I.E.
All communications should be addressed to—
The Editor of “The New Europe,” c/o Constable & Co. Ltd.,
10, Orange Street, Leicester Square, London, W. C. 2.
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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