Portal:Apocalyptic fiction

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Apocalyptic fiction

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Apocalyptic fiction is a sub-genre of science fiction that is concerned with the end of civilization due to a potentially existential catastrophe such as nuclear warfare, pandemic, extraterrestrial attack, impact event, cybernetic revolt, technological singularity, dysgenics, supernatural phenomena, divine judgment, climate change, resource depletion or some other general disaster.— Excerpted from List of apocalyptic and post-apocalyptic fiction on Wikipedia, the free encyclopedia.

Apocalyptic fiction

Alien invasion

The alien invasion is a common theme in science fiction stories and film, in which extraterrestrial life invades Earth either to exterminate and supplant human life, enslave it under a colonial system, harvest humans for food, steal the planet's resources, or destroy the planet altogether.— Excerpted from Alien invasion on Wikipedia, the free encyclopedia.

• The Germ Growers, 1892 by Robert Potter
• The War of the Worlds, 1898 by Herbert George Wells
• The Thing From—Outside, 1926 edition by George Allan England, original: Science and Invention, April 1923
• The Hanging Stranger, 1953 by Philip Kindred Dick

Armageddon

Armageddon is, according to the Bible, the site of a battle during the end times, variously interpreted as either a literal or symbolic location.— Excerpted from Armageddon on Wikipedia, the free encyclopedia. Used here to group fiction representing a final, apocalyptic war.

• The Food of the Gods and How It Came to Earth, 1904 by Herbert George Wells
• The War of the Giants, 1931 by Fletcher Pratt

Cybernetic revolt

• The Machine Stops, 1909 by Edward Morgan Forster
• R. U. R. (Rossum's Universal Robots), 1921 theatre play by Karel Čapek
• The Mentanicals, 1949 edition by George Henry Weiss, originally published in Amazing Stories, April 1934
• Second Variety, 1953 by Philip Kindred Dick

Dying Earth

The Dying Earth subgenre is a sub-category of science fiction or science fantasy which takes place in the far future at either the end of life on Earth or the End of Time, when the laws of the universe themselves fail. Themes of world-weariness, innocence (wounded or otherwise), idealism, entropy, (permanent) exhaustion/depletion of many or all resources (such as soil nutrients), and the hope of renewal tend to pre-dominate.— Excerpted from Dying Earth (subgenre) on Wikipedia, the free encyclopedia.

• Darkness by George Gordon Byron, Lord Byron
• The Time Machine, 1895 by Herbert George Wells
  • British "Heinemann text"
  • American "Holt text"
• The House on the Borderland, 1908 by William Hope Hodgson
• The Night Land, 1912 by William Hope Hodgson
• Till A' the Seas, 1935 by Howard Phillips Lovecraft and R. H. Barlow

Ecological catastrophe

• The Poison Belt, 1913 by Arthur Conan Doyle
• Omega, 1949 edition by Amelia Reynolds Long, originaly published in Amazing Stories, July 1932.

Impact event

An impact event is the collision of a large meteorite, asteroid, comet, or other celestial object with the Earth or another planet. Impact events have been a plot and background element in science fiction since knowledge of real impacts became established in the scientific mainstream.— Excerpted from Impact event on Wikipedia, the free encyclopedia.

• The Conversation of Eiros and Charmion, 1839 by Edgar Allan Poe
• The Star, 1897 by Herbert George Wells

Unexplained extinction

• "The Man Who Lived," by Raymond F. O'Kelley in Weird Tales (September-October 1941, vol. 36, no. 1)

Pandemic

• The Last Man, 1826 by Mary Wollstonecraft Shelley
• The Scarlet Plague, 1912 by Jack London

Post-apocalyptic fiction

• After London, 1885 by Richard Jefferies
• The Purple Cloud, 1901 by Matthew Phipps Shiel
• In the Days of the Comet, 1906 by Herbert George Wells
• Valhalla, 1907 by George Long
• The Scarlet Plague, 1912 by Jack London
• After Armageddon, 1932 by George Henry Weiss
• The Defenders, 1953 by Philip Kindred Dick
• Second Variety, 1953 by Philip Kindred Dick

See also

• Portal:Science fiction
• Portal:Eschatology